VIII. The Theatre in France--1500-1700Much of early French drama had little impact on the world of theatre. Dramatists too often catered to the aristocracy and never produce any plays of lasting interest. Conditions did change around 1597, however, when more skilled companies and playwrights began to appear in Paris. France's first professional dramatist was Alexandre Hardy who appeared around 1597. He wrote a large number of plays, 34 of which have survived. He used the five-act form, poetic dialogue, as well as the chorus from early Greek and Roman times. While Hardy's contributions were important to the French theatre, he never achieved lasting greatness. One of the most famous French playwrights of the period was Moliere, famous for Tartuffe and other satires on the corruption of French nobility. Banned from performing his plays on stage, Moliere was called a "demon in human flesh" by the Church, and the State closed his theatre and tore down his posters. In 1667, church leaders threatened excommunication on all who might act in plays like Tartuffe. Finally, in 1669, permission was granted by King Louis XIV for Moliere to perform his plays in public. Other noteworthy playwrights of the time were Racine, who wrote tragedies,such as Phaedra, and Corneille. Racine wrote plays which had simple plots and complex characters while Corneille wrote plays with complex plots and simple characters. One of the most famous French theatres was the Hotel de Bourgone which was the only permanent theatre in Paris between 1595 and 1629. There were no permanent seats except for the benches running along the side walls. Around the walls of the auditorium were galleries which were divided into boxes for the wealthy and the aristocracy. The auditorium held 1600 theatre-goers. Cardinal Richelou built another large theatre at his own palace called the Palace Royale. In 1680, the French started the very first national theatre, called the Comedie Francaise. During the seventeenth century, the French had acting companies composed of eight to fifteen actors which toured and performed plays. The French are also noted for their development of methods of shifting scenery. Some examples of their work were the Chariot and Pole system, the Wings and Shudders system, and the popular Mansion Platea system. These innovations were eventually used in many other countries in Europe and helped secure France's place in theatre history.
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