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Past copies of some issues of the Northwest Theatre Review are now available.  Please contact the Treasurer to inquire on volume availability.
Membership in the Northwest Drama Conference includes a subscription to the Northwest Theatre Review. Individual copies of the Northwest Theatre Review without conference membership are $20.00 each.

Volume 16 - 2010

• available February 2010

Volume 15 - 2009 

Volume 14 - 2008

Volume 13 - 2007

Volume 12 - 2006

Volume 11 - 2005

• Directing Beckett: Issues of Freedom, Control and Artistry
  Eric Prince, Colorado State University
• Quaker Corporate Discernment as a Model for Collaboration in Theatre
  Bryan Boyd, George Fox University
• Deaf Theatre Bridges the Gap Between Deaf and Hearing Audiences
  Jo Strom, Graduate Student Central Washington University
• Jung's Influences in The Night of the Iguana
  Joanna Goff, Edmonds Community College
• Seasons of Shakespeare: the Bard and OSU
  Marion O Rossi Jr and Charlotte J Headrick, Oregon State University
• George Bernard Shaw's Environmental Theatre
  Scott W. Cole, University of Washington

Volume 10 - 2004

• A City Apart: Post-Soviet Russian Theatre
  Larry Hazlett, University of Wyoming
• A Brief History of Golf in Relationship to Man's Connection to the Natural World
  Bryan Willis, Olympia, WA and Yoshiyuki Nishikawa, Japan
• Hopi Ritual Performances: A Comparison with the Rites and Practices of Ancient Greece
  David Edgecomb, University of Alaska-Anchorage
• Premiere and Finale: Dryden's The State of Innocence and the Fall of Man at Western Oregon University
  Richard Davis, PhD, Western Oregon University
• The Crucible Still Burns
  Elaine Wiggins, Graduate Student Central Washington University
• ComedySportz: A History of a Competitive Improvisational Company
  Kevin Bradshaw, Gonzaga University

Volume 9 - 2001

• 1999 KC-ACTF/NWDC Keynote address: A Wonderful and True Story.
  Tony Kusher.
• Gender Objectification: Cause and Effect.
  Brenda Hubbard, Central Washington University.
• Stanislavski's Translation: Ambiguities Affecting Super-objective and Through Line of Action.
  D. E. Moffitt, University of Idaho.
• Plato and Conceptions of Greek Theatre.
  Michael Wallace, Graduate Student Western Washington University.
• Observing Ourselves in Action.
  Julie L. Voelker, Graduate Student University of Washington.

Volume 8 - 2000

• Script (inter)play: Collaborating on Performance Compositions.
  Don Laplant and Susan Suprenant, Ph.D. Candidates at University of Oregon.
• A Thought on Pacing: Slow Down, We Move Too Fast!
  Ed Bowen, University of Portland.
• Metaphor within the Method:  The Scenography of the Group Theatre.
  Scott Dahl, University of Idaho.
• "He Never Forgets and He Never Forgives": Sweeny Todd as Jacobean Revenge Tragedy.
  Laurilyn J. Harris, Ph.D. Washington State University.

Volume 7 - 1999

• Reimagining of Yup'ik and Inupiat Performance
  Thomas Riccio, University of Alaska Fairbanks.
• The 1998 Oregon Shakespeare Festival.
  Ed Bowen, University of Portland.
• Susanna Rowson and Slaves in Algiers: A Struggle for Women's Freedom.
  Terresa L. Wolf, Ph.D. Candidate Washington State University.
• Theatre: The Essential Liberal Art.
  Thomas H. Gressler, Linfield College
• Libby: The Story of a Theatre Tour to Alaska's Pribilof Islands.
  Elizabeth Ware, University of Alaska Anchorage.

Volume 6- 1998

• Marat/Sade and The Caucasian Chalk Circle: An Experiment in Arena Staging at the Royal National Theatre.
  Forrest Sears, University of Idaho and Sarah Wilson Hansen Graduate University of Idaho.
• Whistler's Mom.
  Bryan Willis, Seattle, WA.
• "Women Are Good at This Job": Lynne Parker, Director.
  Charlotte J. Headrick, Oregon State University
• The State of the Fine Arts: A Regional Report.
  Dean Panttaja, University of Idaho
• Community Approaches to Funding the Arts.
  Faye Slice, Butte, MT.
• Linguistic Barriers and Cultural Gulfs: Translations, Brian Friel, and the Creation of Field Day Theatre Company.
  Susan Brennan, Graduate Student University of Portland.
• Actor Training in Russia: Tradition and Change.
  David Edgecombe, Ph.D. University of Alaska Anchorage.

Volume 5 - 1997

• Someone's in the Kitchen with Dionysus.
  Susan K. Brown, Graduate Student University of Portland.
• Women of the Holocaust or (manna from heaven).
  Amy Bridges-Williams, Anchorage Alaska.
• Russian Lessons, a one-act play.
  Bevin Flynn, Undergraduate Student at University of Idaho.
• Dying Light.
  Jason D. Martin, Student at Western Washington University.

Volume 4 - 1996

• Gut Reaction: Sarah Daniels's Gut Girls in Havre, Montana.
  J. K. Curry, Montana State University-Northern.
• The Gue Hin Chou: Portland's Chinese Theatre
  Allen J. Adams, Western Oregon State College.
• (Re)Constructing Directing Pedagogy.
  Charles Ney, University of Idaho.
• The French Academy, Corneille and Le Cid: A Study in Controversy
  J. Marisa Samuels, MA Candidate University of Portland
• "Heaven Will Protect the Working Girl": The Multifaceted Career of Marie Dressler
  Laurilyn J. Harris, Ph.D. Washington State University.
• A History of the Northwest Drama Conference: the 80's and 90's.
  Richard Davis, Western Oregon State College.

Volume 3 - 1995

• Beyond the Stage: Reflections on Street Theatre in India.
  Lou Furman, Washington State University.
• The Issue of Identity in Steven Dietz' God's Country, or Why Bring the Aryan Nations to W.S.U.?
  Terry John Converse, Washington State University.
• Researching God's Country in God's Country.
  Joseph Proctor, University of Montana.
• Cutting a Dash: Creating a Costume for Nora-Designing Clothes for Gemma O'Connor's SigNora Joyce.
  Charlotte J. Headrick, Oregon State University & Robin Waytenick, MA Candidate, Oregon State University.
• Theatre in Britain
  Forrest Sears, University of Idaho

Volume 2 - 1994

• Entertaining Mr. Helms
  Christopher Durang
• The Training of the Apprentices in Shakespeare's Company.
  David Edgecombe, Ph.D. University of Alaska Anchorage.
• A Partial History of the Northwest Drama Conference.
  Horace W. Robinson, Ph.D. University of Oregon.
• Hopffgarten Scenic Studio of Boise
  Jeanette Ross, Boise, ID.
• Historical Background of the Teatro all'Antica in Sabbioneta, Italy
  George Caldwell, Ph.D. Washington State University.

Volume 1 - 1993

• "Otherwise I Must Have Encumbered the Stage with Dead Bodies": Nahum Tate's King Lear.
  Laurilyn J. Harris, Ph.D. Washington State University.
• Resources for the Study and Replication of Alaskan Native Costume.
  Tara Maginnis, Ph.D. University of Alaska Fairbanks. Bibliographical material by Marcella Brown, September Laakso and Anne McBeth, students at UAF.
• Co-existence and War Between the Temple and Grand Opera House During Lewiston's, Idaho's Theatre Boom.
  Kristine M. Yates.  MA Candidate, Washington State University.
• A Paradigm for Securing Arts Agency Funding that Supports the Actor-Teachers Prelude to Theatre Performance for Young Audiences.
  Charles R. Hannum, Ph.D. Albertson College.