CWUTheatre NewsTheatre News Opens Season with Red Curtain Broadway Revue November 19, 18 Nov 2015 07:56:54<p><img alt="" src="/theatre/sites/" style="width: 174px; height: 130px; margin-left: 6px; margin-right: 6px; float: left;">A bit of Broadway comes to Ellensburg with the <em>Red Curtain Broadway Revue</em>, an evening of favorites from a variety of Broadway classics both old and new. This year, the <em>Red Curtain Broadway Revue</em> will showcase numbers from <em>Matilda</em>, <em>Sister Act</em>, <em>The Little Mermaid</em>, <em>42nd Street,</em> <em>Mary Poppins</em>, and more.</p><p>The <em>Revue</em> features students in Central Washington University’s bachelor of fine arts musical theatre performance program, and spotlights their singing, dancing, and acting skills in a variety of scenes, solos, and excerpts from musical theatre. Choreographed, directed, and performed by CWU students, the production combines the enthusiasm and exuberance of youth with professional stage skills, along with serious talent.</p><p>The <em>Red Curtain Broadway Revue</em> will be performed November 19, 20, and 21 at 7:30 p.m. in McConnell Auditorium. There will also be a matinee performance at 2:00 p.m. on November 22. Tickets are $15 general admission, $12 for seniors/students, and $8 for CWU students with ID. Tickets can be purchased online at or by calling 509-963-1429. Tickets may also be purchased in person at the Wildcat Shop Customer Service at the Student Union and Recreation Building.</p><p>Parking is free in all university lots after 4:30 p.m. and on weekends, except in residential housing lots and in specially designated spaces.</p><p><strong>Parental Guidance</strong><br>Parents may consider some material unsuitable for their youngest children.<br>May include situations, language, or actions that may startle some patrons.</p><p>&nbsp;</p><p><em>CWU is the only state institution that offers a bachelor of fine arts degree with highly competitive programs in musical theatre, performance, and design and production.</em></p><p><br>Media Contact: Valerie Chapman-Stockwell, Public Affairs, 509-963-1518,<br>November 18, 2015</p></br></br></br></br>Theatre and War: The Campaign to Win Vietnamese Hearts and Minds, 05 Nov 2015 14:15:02<p><img alt="" src="/theatre/sites/" style="width: 450px; height: 253px;"></p><p>Sometimes “water-cooler talk” can develop into something much more profound. That's what Jay Ball and Jerry Dougherty, faculty in the theater arts department, discovered when their low-key chats about international affairs developed into serious discussions, and ultimately, “a great faculty collaboration.”</p><p>Ball and Dougherty co-authored "Cultural Seeding: Van Tac Vu Theatre and Pacification during the Vietnam War," a paper on the American “hearts and minds” campaign during the Vietnam War.</p><p>“I was an international relations major as an undergrad and most of my research as a theatre historian has been focused on political hot spots around the world,” said Ball, professor of theatre and performance studies. “Jerry has been to those hot spots, and ever since I arrived at CWU three years ago, we have routinely had water cooler talk about international affairs and his military experiences.”</p><p>Dougherty, CWU’s Theatre Arts department production manager, is an Iraqi War veteran and a current Lt. Colonel in the US Army Reserve. He has 23 years of service as both a cavalry and logistics officer.</p><p>“When I had the opportunity to propose a paper—in this case, on the theatrical properties of American ‘hearts and minds’ efforts during the Vietnam War—I popped the question to Jerry: want to co-write a piece of original theatre history with me?” continued Ball. “He was surprised, then shrugged his shoulders and said, ‘Sure. I don't know what you want me to do, but let's do it.’”</p><p>According to Ball, winning "hearts and minds" was shorthand for the American strategy of convincing rural Vietnamese people to withdraw their support for the Viet Cong and rally to the cause of South Vietnamese government. To achieve this, the US military deployed a range of so-called psychological warfare techniques, including leaflets, helicopters with massive speakers to broadcast messages (think the film Apocalypse Now), medical assistance teams, as well as using radio and television. This type of integrated information campaign had its start in Viet Nam, Dougherty related.</p><p>“The subject of our paper, Van Tac Vu, were specially trained theatre troupes who would go from village to village putting on magic shows, short plays, and sing-alongs—all with a pro-government message,” said Ball. “Since General Petraeus revolutionized the thinking of the US military about counter-insurgency during his time in Iraq, all of these "hearts and minds" operations are being studied again for their application to contemporary conflicts.”</p><p>Dougherty mined incredible research from places Ball would not have known how to access, like the Army War College.</p><p>“The Army War College in Pennsylvania and the Command and General Staff College in Kansas are open to any one in the military who wants to do research,” said Dougherty. “I was able to access papers and other research that had already been published, such thesis projects on the subject.”</p><p>“Jerry was also able to translate government documents and military manuals into civilian English,” said Ball. “More than that, he has been in a war zone. He just brought an insider's view—and veteran's understanding—to this work that has made it infinitely richer than I could have done on my own.”</p><p>They will present the paper the national American Society for Theatre Research as part of the organization's "Theatre and War" working group. It's highly competitive, premiere theatre scholarship conference held November 5-8, in Portland, Oregon.</p><p>“I’m really excited about this paper, but I’m also very interested in digging deeper into this subject,” said Dougherty. “There are still stones left to be turned over.”</p><p>Media Contact: Valerie Chapman-Stockwell, Public Affairs, 509-963-1518,<br>&nbsp;</p><p>Photo: Jerry Dougherty and Jay Ball</p></br>CWU Graduate Student to Direct "Look Back in Anger", 18 Sep 2015 07:58:41<p><img alt="" src="/theatre/sites/" style="width: 166px; height: 250px; margin-left: 6px; margin-right: 6px; float: left;">Joshua Kelly, a CWU theatre arts master's degree candidate, is directing Look Back in Anger for The Montana Repertory Theatre in Missoula, Montana.</p><p>"[Playwright John] Osborne&nbsp;was famous for "liquid poetry," Kelly said, "and this script is the best example of his poetic vitriol there is."</p><p>Kelly graduated from UM in spring 2014 with his bachelor's degree in theater. He's now getting his master's degree at Central Washington University, with a thesis in progress on Osborne.</p><p>He first read "Look Back" a year ago and said 'fire just erupted from the page.'"</p><p>Read more of this story in <a href="">the Missoulian</a>.</p>Vintage US Army Uniforms Donated to CWU Theatre Arts, 01 Sep 2015 07:55:54<p><img alt="" src="/theatre/sites/" style="width: 452px; height: 300px;"></p><p>Fifty years of US Army uniforms, from World War II to the Vietnam War, are now available to students in Central Washington University’s Department of Theatre Arts, thanks to another generous gift from Grant and Virginia Green of Alexandria, Virginia.</p><p>Grant’s mother helped establish Gallery One in Ellensburg, and worked with Central and its theatre and arts departments throughout her career. In addition, his aunt, Ramona Solberg taught at Central. When settling his mother’s estate, he chose CWU to receive her couture 1950s wardrobe as a gift to the university.</p><p>“We came to know of Central’s knowledge and experience with historical clothing and its educational programs,” wrote Green. “This is what has led us to gift these military uniform items of mine and father’s to Central.”</p><p>The uniforms represent his father’s 30-plus years in the US Army, “which included service in the Pacific during WWII and the Korean War.” Green also donated uniforms from his own 23-year career in the army, including his two tours of duty in Vietnam.</p><p>“It’s great to have these uniforms which represent such significant eras in US history,” said Scott Robinson, chair of theatre arts. “What is truly remarkable is that these are so complete, with the proper epaulets, button studs, and hats.”</p><p>The Green family donated six full uniforms, including formal mess uniforms, a summer dress uniform, and full army green and blue uniforms (the US Army replaced green with Army blue in 2009).</p><p>“These will be so useful in shows,” said Robinson. “It’s very powerful for an actor to put on article of clothing that carries the history of a real person that wore them.</p><p>“They will also be so valuable for teaching. Our students will be able to closely examine how the garments were made,” Robinson continued. “This can also be a springboard of research about uniform regulations, which are very specific as to the branch of service of the soldier.”</p><p><img alt="" src="/theatre/sites/" style="width: 151px; height: 100px; margin-left: 6px; margin-right: 6px; float: left;">In addition to the uniforms, the Greens included a 1960s-era officer’s raincoat, a pre-World War II man’s hat, a bowler or “bob” hat from Bolivia, and a number of unique vintage feathers.</p><p>“These gifts will be an inspiration to theatre students for many years,” said Robinson.</p><p><br>Media Contact: Valerie Chapman-Stockwell, Public Affairs, 509-963-1518,</p></br>CWU's Central Theatre Ensemble Receives 2015 Best of Ellensburg Award, 07 Aug 2015 08:05:53<p><span style="line-height: 1.4;"><img alt="" src="/theatre/sites/" style="width: 174px; height: 130px; margin: 5px 7px; float: right; border-width: 2px; border-style: solid;">The Central Theatre Ensemble has been selected for the 2015 Best of Ellensburg Award in the Theater category by the Ellensburg Award Program.</span></p><p>Long recognized as a theatre powerhouse in the region, Central Washington University's CTE recently hosted the Kennedy Center American College Theatre Festival, where Scott Robinson, theatre arts professor and chair, received a second Gold Medallion of Excellence. It is the most prestigious regional award given by KCACTF and is one of the great honors in theatre education. CWU is the only public institution to offer the only Bachelor of Fine Arts degree in Musical Theatre in the Northwest.</p><p>This year, the CTE will begin its season with the ever popular Red Curtain Broadway Revue on November 19.</p><p>Each year, the Ellensburg Award Program identifies companies that we believe have achieved exceptional marketing success in their local community and business category. These are local companies that enhance the positive image of small business through service to their customers and our community. These exceptional companies help make the Ellensburg area a great place to live, work and play.</p><p>Various sources of information were gathered and analyzed to choose the winners in each category. The 2015 Ellensburg Award Program focuses on quality, not quantity. Winners are determined based on the information gathered both internally by the Ellensburg Award Program and data provided by third parties.<img alt="" src="/theatre/sites/" style="width: 200px; height: 204px; float: left; margin: 5px; border-width: 2px; border-style: solid;"></p><p>About Ellensburg Award Program</p><p>The Ellensburg Award Program is an annual awards program honoring the achievements and accomplishments of local businesses throughout the Ellensburg area. Recognition is given to those companies that have shown the ability to use their best practices and implemented programs to generate competitive advantages and long-term value.</p><p>The Ellensburg Award Program was established to recognize the best of local businesses in our community. Our organization works exclusively with local business owners, trade groups, professional associations and other business advertising and marketing groups. Our mission is to recognize the small business community's contributions to the U.S. economy.</p><p><br>CONTACT: Ellensburg Award Program, E-mail:, URL:</p></span style="line-height: 1.4;"></br>Broadway Classic, Fiddler on the Roof, Opens May 8, 05 May 2015 13:35:01<p><img alt="" src="/theatre/sites/" style="width: 250px; height: 387px; float: left;">Winner of nine Tony Awards, a record-setting Broadway run and a musical score that has withstood the test of time, <em>Fiddler on the Roof</em> has enthralled audiences world-wide for more than half a century.</p><p>Based on the writings of Sholem Aleichem, the story follows Tevye, a simple milkman, as he navigates the rough waters of a turbulent time.</p><p>“Although the production will be interpreted traditionally, the values and sentiments are extremely timely—universal as it were,” said Patrick Dizney, director, and Central Washington University professor of theatre arts. “It really focuses on Tevye’s struggle to maintain his faith in the winds of great change and persecution.”</p><p>As Tevye raises his five daughters, he struggles to maintain his familial and cultural traditions as the currents of political and social change pull his family further and apart. Strewn with such classics as “Tradition,” “If I Were a Rich Man,” and&nbsp; “Matchmaker, Matchmaker,” theatregoers will be humming the music from “Sunrise [to] Sunset.” Full of warmth, humor, and a beautiful musical score, <em>Fiddler on the Roof</em> is sure to please audiences for years to come.</p><p>The role of Tevye will be played by seasoned theatre professional Eric Jensen. Jensen has been performing in Seattle and the Pacific Northwest since 1989.&nbsp; He has performed with ACT, 5th Avenue Theatre, Seattle Childrens Theatre, Seattle Repertory Theatre, Tacoma Actors Guild, and the Village Theatre, as well as the the Ordway in Minnesota and the Globe in California. A professional actor for the past 25 years, he has toured throughout the United States and the world—Barcelona, Japan, Taiwan, Singapore, and Canada. His past roles have included not only Tevye, but also Javert (<em>Les Miserables</em>), The Beast (<em>Beauty and the Beast</em>), and Emile DeBeque (<em>South Pacific</em>) and others. He has also worked as an educator and director for Village Theatre's Kidstage program</p><p><em>Fiddler on the Roof</em> will be performed at 7:30 p.m., May 8-9 and 14-16, and at 2:00 p.m. on&nbsp;May 10 and 17 in McConnell Auditorium. Tickets are $15-20 for adults, $12-18 for students and seniors and $7 for CWU students w/ID.</p><p>Advanced purchase is recommended. To purchase tickets go to Tickets may also be purchased by calling 509-963-1429, or in person at the Wildcat Shop Customer Service at the Student Union and Recreation Building.</p><p>Parking in CWU lots is free after 4:30 p.m. and on weekends, except in residence hall lots and in specifically designated spaces.</p><p><em>Parents may consider some material unsuitable for their youngest children. May include situations, language, or actions that may startle some patrons.</em></p><p>Media Contact: Valerie Chapman-Stockwell, Public Affairs, 509-963-1518,</p><p>May 5, 2015</p>CWU's Scott Robinson Honored with Gold Medallion for "Extraordinary Contributions", 20 Feb 2015 13:00:23<p><img alt="" src="/theatre/sites/" style="width: 75px; height: 113px; margin-left: 10px; margin-right: 10px; float: left;"><span style="line-height: 1.4;">Scott Robinson, </span>theatre<span style="line-height: 1.4;"> arts professor and chair, received a second Gold Medallion of Excellence from the Kennedy Center American College </span>Theatre<span style="line-height: 1.4;"> Festival at the President’s Reception, Thursday, February 19 at Central Washington University. It is the most prestigious regional award given by </span>KCACTF<span style="line-height: 1.4;"> and is one of the great honors in </span>theatre<span style="line-height: 1.4;"> education.</span></p><p>“Scott’s tireless work behind the scenes in service to the students and faculty of our beloved region is inspirational,” said David Lee-Painter, professor, theatre, University of Idaho, and national chair of KCACTF. “For at least a dozen years, Scott has been the chief fiscal officer of our region—and as the fiscal belts continue to tighten in academia across the country and across the regions—Scott has kept us on the path to fiscal health.</p><p>“As if that wasn’t enough, he also runs registration (a HUGE job)—prints name tags, coordinates registration packets, negotiates transportation and hotel contracts, and kept a bumbling chair like me safe and relatively sane,” Lee-Painter continued. “Scott has been a Herculean presence on our regional executive committee—I KNOW I could not have done the job without him as a wonderful partner—nor would I have wanted to, either.&nbsp; He was, and is, a blessing in my life.”</p><p>Kennedy Center Artistic Director, Greg Henry, gratefully acknowledged Robinson’s 13-year tenure, with an open-ended appointment of service, as Region VII’s chief financial officer during the presentation.</p><p>“The real honor is the ability to work with an organization full of fantastic artists, teachers, and student mentors who are engaged in building up the next generation through the varied programing of the Kennedy Center American College Theatre Festival,” Robinson said.</p><p>He is a recipient of several Kennedy Center American College Theatre Festival awards. In addition to the Gold Medallions, he has received meritorious awards for his costume design work on Fantasticks, and Man of La Mancha and scenic designs for Bird Woman: The Story of Sacajawea, and the world premiere of Blankity Blank.</p><p>Under Robinson’s leadership, CWU’s Theatre Arts Department has tripled in size and become a regional powerhouse for developing young talent in acting and design. Presently, CWU is the only public institution in Washington State that offers a bachelor of fine arts with specializations in musical theatre, performance, and design and production.</p><p>In addition to his teaching and administrative duties at CWU, Robinson’s professional work includes Waterville Opera House, Idaho Repertory Theatre, Illinois Shakespeare Festival, and Utah Musical Theatre. He has been a reviewer for the American Library Association's Choice Magazine. He has served on numerous state and regional theatre organization's boards and committees and currently serving as the Financial Officer of Kennedy Center ACTF Region VII.</p><p>Prior to his arrival at CWU, Robinson was a faculty member at the University of Montevallo, and taught at Northern Michigan University, Illinois State University, and Lethbridge Community College. Robinson received his BFA in design from the University of Lethbridge in Canada, and his MFA in Theatre from Illinois State University in Normal.</p><p>Each year, the eight KCACTF regions honor individuals or organizations that have made extraordinary contributions to the teaching and producing of theatre and who have significantly dedicated their time, artistry and enthusiasm to the development of the Kennedy Center American College Theater Festival.&nbsp; Most importantly, recipients have demonstrated a strong commitment to the values and goals of KCACTF and to excellence in educational theatre.</p><p>Media Contact: Valerie Chapman-Stockwell, Public Affairs, 509-963-1518,<br>&nbsp;</p></span style="line-height: 1.4;"></span style="line-height: 1.4;"></span style="line-height: 1.4;"></span style="line-height: 1.4;"></span style="line-height: 1.4;"></br>Hubbard Recognized for Commitment to Diversity and Inclusivity., 21 Jan 2015 23:56:18<p>Cwu-Theatre Arts Professor, Brenda Hubbard, has been selected to receive Central Washington University's inaugural Diversity Award. Her nomination, which was initiated by&nbsp; Juleen Murray Shaw, a recent MA - Theatre production graduate, clearly testifies that Hubbard is a faculty member who:</p><p>&nbsp;&nbsp;&nbsp; Displays Intentional and sustained commitment to diversity and inclusivity.<br>&nbsp;&nbsp;&nbsp; Contributes to effective change related to diversity and inclusivity.<br>&nbsp;&nbsp;&nbsp; Demonstrates engagement with diversity and inclusivity through practice.<br>&nbsp;&nbsp;&nbsp; Actively nurtures a supportive environment for diversity and inclusivity.</p><p>​To honor her contributions, she will be the guest of CWU President James Gaudino, joined by the Board of Trustees, award nominees and esteemed colleagues for the inaugural Diversity Awards Banquet on February 5, 2015.</p><p style="text-align: center;"><img alt="" src="/theatre/sites/" style="width: 300px; height: 147px;"></p></br></br></br></p style="text-align: center;">CWU Theatre Almuni on Dock to be Best in Seattle, 17 Nov 2014 22:09:08<p>Nine CWU Theatre alumni have been nominated as some of the Best in Seattle’s theatre in the 2014 BroadwayWorld Seattle Awards.&nbsp;</p><p>Dustyn Moir Man of La Mancha&nbsp; (Seattle Musical Theatre) - Nicholas Tarabini Once Upon A Mattress&nbsp; (All Saints Theatrical Repertoire Assoc (ASTRA)) -&nbsp; Sam Armitage Tommy&nbsp; (Seattle Musical Theatre) - Cherisse Martinelli Man of La Mancha&nbsp; (Seattle Musical Theatre) - Ryan Bohannon Avenue Q&nbsp; (Bainbridge Performing Arts) - Andrew Shanks The Pillowman&nbsp; (SecondStory Repertory)&nbsp; - EmilyRose Frasca The Last Five Years&nbsp; (Lungfish Productions) - Chauncey Trask Little Shop of Horrors&nbsp; (Mount Baker Theatre)</p><p><br>Several of alumni vie for “Person to Watch” title:&nbsp; Ryan Bohannon, Chauncey Trask, Nicholas Tarabini, Alex Davis-Brazill, EmilyRose Frasca,</p><p>See more at:</p></br>Nisqually Earthquake Explored in One Day in Cascadia, 05 Nov 2014 10:22:00<p>The Nisqually earthquake, also known as the Ash Wednesday earthquake, hit western Washington at 10:54 a.m. on February 28, 2001. One of the largest recorded earthquakes in Washington State history, it measured 6.8 on the moment magnitude scale and lasted approximately 45 seconds</p><p>Central Washington University Central Theatre Ensemble is bringing the stories of the Nisqually earthquake to life in <em>One Day in Cascadia: The Nisqually Earthquake Stories</em>. The one-time performance will be held on November 6 at 7:30 p.m. in the Student Union and Recreation Center Theatre. The event is free and open to the public and a discussion will follow the performance. Parking in CWU lots is free after 4:30 p.m. and on weekends, except in residence hall lots and in specifically designated spaces.</p><p>Directed by Jay Ball, professor and graduate coordinator, Theatre and Performance Studies,&nbsp;<em>One Day in Cascadia</em> is a staged reading of a script that incorporates interviews, research materials and stories from the media during that time.</p><p>“Natural disasters provide a lot of material for drama,” said Ball, who partnered with scientists from CWU’s Cascadia Hazards Institute (CHI) to develop the script. “One of my discoveries was that the emotional responses to the earthquake were all over the place, from euphoria to despair.”</p><p>Ball added that it was a great interdisciplinary experience, developing a work that was based on both the arts and the sciences.</p><p><em>One Day in Cascadia: The Nisqually Earthquake Stories</em> is sponsored by the Cascadia Hazards Institute, which advances and supports interdisciplinary research and education about Cascadia hazards to improve the safety of the public and business resilience in the Pacific Northwest.</p><p>For more information, contact the Theatre Arts Department at 509-963-1750, or</p><p><iframe class="youtube-player" src="" title="YouTube video player" type="text/html" frameborder="0" height="390" width="480"></iframe></p><p>Media Contact: Valerie Chapman-Stockwell, Public Affairs, 509-963-1518,</p>